Articles Trash Culture Josh Look got the Astonishing X-Men Omnibus for Christmas, and all you get is this crummy review
 

Josh Look got the Astonishing X-Men Omnibus for Christmas, and all you get is this crummy review Josh Look got the Astonishing X-Men Omnibus for Christmas, and all you get is this crummy review Hot

Josh Look got the Astonishing X-Men Omnibus for Christmas, and all you get is this crummy review

Observant followers of my comic articles here on the Fort will realize that I promised more coverage of Marvel's Point One line this month.  However, roughly half of the books in the line for this month will not reach my local comic shop in time for my article, and which ones that have, well...the less said of them, the better.

Who doesn't love the X-Men on some level?  When I was in the third grade, I don't think there was anything that seemed cooler to me than the X-Men.  This was a bit before the 90's animated show came out, so to know the X-Men, who they were and what they're about, it was like being in a secret club.  At that age, the fact that there were girls i that club was oddly fascinating.  For me, as I'm sure was the same for any generation before or after mine, the X-Men felt so fresh and different from all the other comic book characters out there.  Mutants were not born out of the fears of the atomic era, they were just born and born different.  What kid drawn to the world of nerdom doesn't find that easy to identify with?

Yet there's plenty to not love about the X-Men.  Most significant for me is the continuity.  The team has a long, sprawling, and confusing history that's on the level of DC's Multiverse (and that's company wide!).  How many times has Jean Grey died?  Is she dead now?  Where did Rachel Summers come from?  Onslaught?  When is my local comic book store going to finally divide the new comics racks into "Indie," "DC," "Marvel," and "Books that feature Wolverine?"  It's some dense,frustrating, sometimes silly stuff, to say the least.

Which brings us to Astonishing X-Men. Joss Whedon and John Cassaday set out to make something readable out of the X-Men's messy continuity, and completely ignored the major crossover events that happened in the Marvel Universe during the series' run.  I've now read the series three times, most recently in the excellent Omnibus edition.  The result is an absolute home run, difficult to put down. largely accessible, and as far as I'm concerned, the best X-Men story to have ever been published.

Astonishing X-Men breaks down into four parts.  Gifted introduces a "mutant cure," which may sound familiar if you were unfortunate to have seen X3. Forget all about Rogue and her, "I can't make out with teenage boys!" crap and think about Beast.  A bit of previous continuity that comes into play with Beast is that he seems to be de-evolving, becoming more savage and cat-like.  There's some great moments built up throughout that make you seriously wonder if he's going to go for the cure, and he did, you can't really blame him.  Also established in this first arc is Ord, an alien from the planet Breakworld, who comes to Earth to find the X-Man who is prophesied to destroy the Breakworld within the next 3 years.  To make matters worse for the X-Men, S.H.I.E.L.D.'s extraterrestrial division claims the prophecy is true.

The second arc, Dangerous, seemed a bit jarring at first, and to some extent, still does.  This story reveals that the technology Professor X used to create the Danger Room has become sentient, and that the AI was actually programmed to kill the X-Men, with essentially only a simple safety lock in place to keep it from doing so.  It's a killer concept with some unforgettable moments, but it at first seems to abandon the questions left lingering at the end of Gifted. It eventually picks it back up as well as tie the events in Dangerous into the overall story, but it does feel a bit like an attempt to set up other important elements rather than being something more cohesive.  The final two arcs, Torn and Unstoppable are nothing short of a tour de force.  I refuse to spoil what happens in these final parts.  Just be ready for Cyclops to go way beyond being the dickhead leader and becoming someone understand, sympathize with, and root for.  His handling stands as my favorite part of this series.

I almost didn't review this book.  It's no secret here on the Fort that I'm a fan of Joss Whedon's work, and I thought my opinion of the book would appear biased.  So I went into the massive Omnibus edition (which collects all 24 issues and the "Giant Sized" issue) with the criticisms made against him in mind.  The most major of those being that all his character talk in exactly the same way.  Yet he understands the way the X-Men talk and behave, as well as what motivates them, and he uses this with each and every character to the fullest potential.  He does a  superb job with Kitty Pryde.  There's a bit of the traditional Whedon humor here and there, but it always fits and is genuinely funny stuff.  While I've applauded him in the past for utilizing the death of a character to lend a sense of believable danger in his own work, the last thing I wanted to see was Whedon taking one the X-Men, who are characters that aren't of his creation, and kill them as he has a history of doing so (I fear for you, Hawkeye!).  I'm not going to say whether he does or doesn't, but I was content by the time all was said and done.  Say what you will about Joss Whedon, but he undeniably has an understanding of characters and team dynamics, and that makes him a natural fit for the X-Men.

The bottom line is that if you ever liked the X-Men at any point in time, Astonishing X-Men is a MUST READ.  If you like Joss Whedon, great, if not, don't let his writing it stop you.  It taps into the most beloved aspects of the X-Men, injects them with the intelligence and sophistication expected from modern comics, and defines several characters in ways that surpasses even the seminal work of Chris Claremont.  Being familiar with Grant Morrison's New X-Men would be a help as far as accessibility goes, but it isn't entirely necessary.  Only time will tell, but I have a feeling that this may become a go-to book when it comes to the X-Men.

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Comments (14)
  • avatarStephen Avery

    Hey thanks Josh. I'm kinda x-men'd out. I only read comic books sporadically but after a stint of reading back issues last summer (and the whole deadpool whirling head of doom in the movie) I decided to take a break from the xmen and fill in gaps in my knowledge of the Avengers. Currently i'm getting caught up on the Dark Avenger storyline and Loving it.

    Your earnest appreciation though makes me want to revisit the xmen. Perhpas I'll pick up the astonishing xmen. It is 1/2 price right now at the local (closing) Borders.
    I also saw Iredeemable #2 and #4. If they had #1 I would have grabbed them but i don't wanto to pick it up mid story.

    Steve"too chepa to buy comics regurlarly"Avery

  • avatarJosh Look

    The first volume of Irredeemable is pretty cheap already, only $10 cover price. That series is very much worth reading.

  • avatarSka_baron

    Wow, you actually make me want to read a comic again. Kudos, sir. Might have to ask for this for the bday.

  • avatarDair

    I have read the first storyline of this series shortly after they came out. My best friend raved about them and handed me the issues. I like some of Whedon's stuff, but I wasn't in love with this series. To be fair, I have never been a huge X-Men fan in general. You did gloss over my favorite part of this book... John Fucking Cassidy. That guy is great. I fell in love with his art when I first saw it in Desperado(es?) and he was fantastic throughout Planetary. Even his art didn't salvage this for me, but I'm glad you enjoyed it.

  • avatardragonstout

    I liked Buffy, but even so, Whedon's Astonishing X-Men drove me crazy. To me it explained exactly why people hate Whedon, and after haing read it I dread ever rewatching Buffy again. All his cutesy forced "clever" dialogue works better spoken so that, if it misses, it's gone in a few seconds and it moves on. On a comics page, lame jokes just LINGER there. I also don't want to spoiler anything, but unlike you, I was *not* satisfied by the ending; it seemed like a pretty typical thing for overrated "superstar" comics writers to do.

    This book to me is a typical example all the self-satisfied, smug qualities of overrated genre work.

    But y'know, there's not a single X-Men run that I really LOVE. The Chris Claremont run has so much awful purple prose and cheesy soap opera (I like it, but it's hardly even a top 50 superhero comic for me), and while I probably like Grant Morrison's run the best out of the three you mentioned, it's pretty incoherent even by his standards, and wouldn't even be in my top 5 favorite Grant Morrison comics.

    Best X-Men stuff ever, in my opinion? X-Men 1 and 2, the movies.

  • avatardragonstout

    Oh shit, forgot the art. Of the three X-Men runs you mentioned (generally agreed to be the three best), John Cassaday was by far the best artist (okay, Quitely's better, but he did so little of Morrison's run in comparison). He's definitely the best thing about both this series and Planetary. That's kind of damning with faint praise, though.

    I'd love him...if not for his really blatant, annoying habit of reusing art. Seriously, the photocopying drives me up the wall. First half of Planetary maybe didn't have it, or at least I didn't notice it. Then Astonishing X-Men was so blatant about it that it made him look lazy, and recently reading the last half of Planetary it was all over the place too.

    Speaking of overrated comics writers, Warren Ellis...wow was Planetary disappointing.

  • avatarShellhead

    Except for dabbling in some of the Morrison run, I ignored the X-Men since about two years after John Byrne left the book. As JJ said, the continuity became a total trainwreck. Then I came back for the Whedon run. I'm not as big a Whedon fan as some, but I am a huge fan of Firefly and also the artwork of John Cassaday.

    Overall, that Astonishing run was excellent. Possibly the second best X-men run ever, after the legendary Claremont/Cockrum/Byrne run. Strong stories, good characterization, decent dialogue even with the Whedonisms, and mostly awesome artwork from Cassaday. And there is an absolutely hysterical scene featuring Wolverine that I will never forget.

  • avatarShellhead

    I like both Quitely and Cassaday artwork overall, but both guys sometimes draw some really strange-looking faces.

  • avatarJonJacob

    "I'm not made of Steel, I'm made of RAGE!"

    ... yeah, I loved Whedon's X-men too. I also liked the Grant Morrison run just before but it kind of fell apart half way through and I lost all interest. I seem to recall that Quitely kept leaving and coming back or something. Anyway it was jarring.

    The Warren Ellis one that picks up from where Whedon left off is interesting but not quite the same level. Whedon had a great ending and during the run gave his favorite character the personality and heroics he always wanted her to have and as a result made the team more interesting as a whole. There's something much more satisfying about Whedon's run because it feels so complete, plus I'll never complain about Cassidy. I didn't know who he was pre-planetary but I certainly know him now and he's a part of two indispensable series. Not many artists can say that. Nice write up.

  • avatarDair

    dragonstout, if you don't like Planetary, I don't know how you can read comics at all. It wasn't ever on time, but it was always quality.

  • avatarSagrilarus


    Cassaday's art is ***excellent*** in this series.

    I only found one true Whedon pithy line in this entire run and the storyline was top shelf. His exploration of Kitty Pryde, a personal favorite, was very well done. I loved this series and put it up in the last math trade but got no bites. I was almost glad to see it because it meant I could reread it at my leisure.

    I'm more of a Rise of Apocalypse era X-Man guy so this was a return after a couple of decades away. Madeurera was really nailing the art for me back then and Cassaday goes toe to toe with him. That was nice to see.

    S.


  • avatarAdamK

    Whedon's run both impressed and frustrated me. I think he had a fantastic handle on the characters, but I thought his ideas and stories were kind of weak. The Breakworld, Danger, the mutant cure ... eh.

    As far as where he fits in with other writers of the title, I'd put him on par with Grant Morrison, who was sort of his opposite, with amazing ideas but whose characterizations left me cold.

    I don't know if anyone will ever really dethrone Claremont as the definitive x-writer, but my favorite is actually the first half of the Fabian Nicieza / Scott Lobdell era. They hit the title's pinnacle, with Age Of Apocalypse. It was in many ways the culmination of 15 years of stories that built on one another soap-opera style with an unrelenting and sustained momentum that nothing else in the history of comics even approaches. They couldn't top it or keep it going though, and it all unwound on them afterwards, which is why I think a lot of people don't look back on that era too fondly. After that, the title floundered until Grant Morrison came along, broke everything, and remade it for a more modern audience, setting the tone for Whedon's storyline and everything that followed.

    One thing I will say for Whedon - he set out to redeem Cyclops as a character, and he succeeded. Before Whedon, Cyclops was a whiny, indecisive, ambivalent sort of guy, especially through Morrison's run. Since Whedon, he's developed into the leader he always had the potential to be, a skilled tactician and an all-around badass.

  • avatarShellhead

    I decided to re-read this Whedon run on Astonishing X-Men last night. Well, I only had time to read the first 18 issues, but they were indeed astonishing. Witty dialogue, excellent characterization, exciting action, and some serious cliffhangers. Although most of the run is broken into trade-friendly six-issue arcs, they never feel padded out the way most Marvel titles do these days. And there are exciting transitions from arc to arc, especially from the Hellfire Club story to the final arc on the Breakworld.

    For those wondering about the long, convoluted X-continuity, Astonishing stands pretty well on its own, but is definitely building upon Grant Morrison's run. And Whedon isn't afraid to poke some fun at past (Claremont) excesses here and there.

    Whedon is a pro who is accustomed to working under weekly deadlines, so I assume that the massive delays in the Astonishing X-Men came from Cassiday, who was also involved with the insanely slow Planetary series, which left fans waiting over a decade for 27 issues plus a couple of one-shot specials. But the results were worth the wait in both cases. This is some of the best artwork I've ever seen in an X-book, putting Cassiday up there with Neal Adams and John Byrne.

  • avatarShellhead

    I finished reading the Whedon run on Astonishing X-Men last night, and also read the first issue of the Warren Ellis run that started immediately after that. The final arc on the Breakworld was great, except for the giant-size issue to wrap everything up. The writing was still strong, and I generally enjoyed the art, especially the wild imagery involving that giant bullet in the city. But it struck me that Cassiday's artwork doesn't work as well on the other superheroes in that issue. They look, well, garish. Yeah, superheroes are garish, but sometimes its too much when the art is fairly realistic. Same goes for Cassiday's hero, Paul Gulacy, and also Barry Windsor-Smith.

    The Ellis run was a big let down. I loved Simone Bianchi's art on the Shining Knight mini from Seven Soldiers, but it just didn't work with the default heavy inks and black backgrounds that you see in so many Marvel titles these days. Ellis did a decent job with the writing, but the pace was painfully slow after the exciting Whedon run. I gave up after one more issue, which I wasn't even in the mood to read last night.

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