Articles Trash Culture Bolt Thrower #69: Commands & Colors Expansions, Englby, Battle Boys, Talking Heads
 

Bolt Thrower #69: Commands & Colors Expansions, Englby, Battle Boys, Talking Heads Bolt Thrower #69: Commands & Colors Expansions, Englby, Battle Boys, Talking Heads Hot

Bolt Thrower #69: Commands & Colors Expansions, Englby, Battle Boys, Talking Heads

Heard the one about the man who asked for a 69 in his ice cream? It's Bolt Thrower time.

Board Games

My plan this week was to write a joint review of the Spanish Army expansion for Commands & Colors: Napoleonics and the Spartan Army expansion for Commands & Colors: Ancients as both were too short individually to be worth a feature. Incredibly, it seemed to turn into a long rant about the state of expansions for both base games and Memoir ‘44 as well. But I did get to the actual expansion reivews at the end: I like the Spanish Army one because it brings new strategies and tactics to its parent game, and I don’t like the Spartan one because it doesn’t, although Grecophile Grognards will find plenty to enjoy.

Books

When I started to read Englby, by Sebastian Faulks, I was struck with a horrible sense that he was writing about me, given the similarities between myself as a student at the protagonist, Mike Englby. That sense of horror only deepened when it became apparent through the course of the book that there's something deeply wrong with Englby, even though he's not quite aware of it himself. A curious, masterful book, the plot is largely predictable but derives much of its power from that very predictability: you keep turning the pages, waiting for more of the terrible revelations that you know are waiting to come to pass. It's also a thorough and believable deconstruction of a broken mind. The one issue I had with it is that as part of this thorough exploration of a character, the author sometimes allows his protagonist long and detailed reminiscences of little consequence, and these parts of the book drag toward dullness. I get the point, that in order to properly understand the person, we must endure his bouts of narcissism, but I still feel it would have benefitted from a little tighter editing. Still, that's a small issue: It's an unusual and highly recommended read.

I also discovered that one of my friends has published a novel on the kindle store. It’s called Battle Boys, and while it would clearly benefit from the loving hand of a professional editor, it’s a fun read nevertheless. Falling as it does into the wide and ever-popular genre that pulls fantasy and horror tropes and inserts them into a modern setting, hushed up by a secret society, it understand that it’s not ground-breakingly imaginative and instead goes for a pleasing mix of humour and action and pulls it off well. It never takes itself too seriously but manages to make an occasional serious point nevertheless. It rarely slows the pace of the action but still gives you the odd pause for thought. The author told me that what he was aiming for was to write a graphic novel without pictures, and to that end I think he’s succeeded. The ending, which clearly aims at possible sequels, is a bit disappointing but given that this is a first, unedited effort by an amateur author, I enjoyed it. Indeed, biased as I am I’d say it’s the best self-published book I’ve ever read although, of course, standards in that category are notoriously low. But it represents a good read for a paltry two dollars.

Video Games

In preparation for something else I’m working on, I’ve gone back to playing board games on my iPad again. Ticket to Ride Pocket, Ghost Stories and Neuroshima Hex remain favourites. Ascension was a lot of fun when I first got it, but after the excitement wore off I’ve felt little reason to go back. With a lot of other titles I’ve found that either the missing social dynamics of the game render them dull (Ra, Bohnanza) or that excessive strategy weight means I can’t be bothered to work hard at beating an AI (T&E, Tikal).

I bought a couple of new ones too. Forbidden Island is a nice implementation of a poor game. I can see it working for kids and families but it’s far too simplistic to drag itself out of the inherent problems with the co-op genre. Played it three times, now bored, waste of money. Tichu, on the other hand is very good. I’m struggling to grasp the strategy but boy do I want to keep on trying. I love the way it splits players between the need to clear their hands fast and the need to capture scoring cards. Unfortunate it takes 30-40 minutes to play, even on the iPad, but you can save games. Still, the option to speed it up by playing to less than 1000 points, and even to play 2 or 3 player games would be nice but I guess you can’t have everything.

Music

One of my few nods toward popular culture in music is being a big fan of Talking Heads. I’m firmly of the belief that their frontman, David Byrne, has had a far wider impact on the development of popular music over the past 30 years than most people outside the music press seem willing to admit. Along with Brian Eno he made one of the seminal early techno records, before techo was even a recognised genre, the outstanding My Life in the Bush of Ghosts, an album I’ve been playing regularly for two decades. And of course with Talking Heads, he pretty much defined the New Wave genre and thus underpinned much of late 90’s and early 00’s alternative rock. But all most people remember is Road to Nowhere and David Byrne being a bit eccentric.

Uniquely, my favourite Talking Heads album is a live album, Stop Making Sense. I normally hate live albums: the sound quality is often poor, they’re prone to technical mistakes by band or crew members, full of embarrassingly under-rehearsed experimental pieces or cover versions and the songs are almost always less interesting than the original mixes. Stop Making Sense stands alone in that every single one of its sixteen tracks actually sounds better than on the original album it came from. A wild ride, full of pulsating energy and borderline madness, it nevertheless occasionally dips into strikingly emotional territory. The music is taken from a concert movie of the same name, which is pretty much the definitive concert movie of all those ever made. For both audio and visual pleasure, check out this extraordinary performance of Once In a Lifetime and marvel at the lighting, the dancing, the shot framing and the music.

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Comments (13)
  • avatarMichael Barnes

    Oh, Stop Making Sense is one of THE live albums (along with Depeche Mode's 101, which I'm listening to right now... Such a powerful, electrifying performance of every song. In the studio, they were such a precise, sometimes mechanical band and that could at times take away from the more organic Afro-pop and wriggly funk stuff they were messing around with. But live, there's just that little bit of imprecision and uncertainty that brings out the life in the songs.

    Like 101, it's also the sound of a band in their prime and at the absolute peak of their power

  • avatarMattDP

    Precise, mechanical. Yep, that just about nails it. I always like to compare the live version of Life During Wartime, which is crackling, madcap stuff that makes the lyrical content seem like a parody, with the flat, lifeless original version that makes those same lyrics feel almost despairing.

  • avatarThe Expanding Man

    Way back in 1990, David Byrne sat opposite me on the London Underground.

    I was a huge fan, and had bought everything on release since Fear of Music. I couldn't help but stare. Byrne put down the copy of the Guardian he was reading, and stared me down, just as intensely as I was staring at him.

    It was such a David Byrne thing to do!

  • avatarMattDP  - re:
    The Expanding Man wrote:
    It was such a David Byrne thing to do!

    That's an awesome story! Made me smile :)

  • avatarThirstyMan

    For live albums I have to go with two (one of which I was actually there!). The first is Graham Parker and the Rumour - The Parkerilla which is a few live shows but the excitement of The Rumour live is definitely captured.

    The second is Nine Below Zero - Live at The Marquee. This is a brilliant, derivative, Dr Feelgood band from the 80's. I was there and it was one of the best nights ever to be had by a human being in London. After being there I religiously followed them around the UK for a year or so. Nothing captures the sweaty, smokey bar room atmosphere of real rhythm and blues better than NBZ.

  • avatarSan Il Defanso

    My favorite live album is probably How The West Was Won, by Led Zeppelin. Almost every track on that album is Led Zeppelin at their best, if you ask me.

    I also really love Under Great White Northern Lights by The White Stripes, particularly since it ended up being their last release.

  • avatarShellhead

    I liked a few Talking Head songs, but I was more of a Jerry Harrison & the Casual Gods fan. I didn't like anything by Tom Tom Club. Still, I was amused when Tina Weymouth declared that she was sick and tired of pompous psuedo-intellectuals like David Byrne.

  • avatarBlack Barney

    yeah, I'M surprised how much fun Ticket to Ride Pocket is considering I don't really like the board game to begin with. Seems well implemented.

  • avatarMattDP  - re:
    Black Barney wrote:
    yeah, I'M surprised how much fun Ticket to Ride Pocket is considering I don't really like the board game to begin with. Seems well implemented.

    Very. I'm currently trying to get the score 240+ achievement. It seems near-impossible to me, but people have done it so I must be doing something wrong. Best I've managed is 225, with an 8-point unfulfilled ticket.

    Jeff White wrote:
    "Rank"

    Oh c'mon, it wasn't *that* bad.

  • avatarJeff White

    Rank = Live album from The Smiths. I put it up there with 101.

    Of course Live After Death is a great one as well.

  • avatarJackwraith

    I was never a huge fan, but I have to say I was always kind of taken by the energy of the Scorpions' World Wide Live.

  • avatarSagrilarus

    From a technical perspective Live Evil may be one of the best engineered live albums I've heard, especially when you consider it was mastered via reel tape in the early 80s. From a more broad perspective I think Alchemy is my favorite live album of all time.

    S.

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