I ran across
this yesterday, which is the story of a man who acquired a mixed lot of 16 mm films. Included were 2 copies of Manos: The Hands of Fate, one of which was the work print. I'm a sucker for any story where a reel of a film is found where no (good) extant copy was thought to exist (or just "discovered treasure" stories in general). The interesting part is that he's a cameraman by trade and knows enough about film post-production to attempt a restoration that he's funding via Kickstarter (ends in 63 hours as of 11:30 CST on 2/1/12).
I still thought it was a bit of a joke at this point because, really, it's fucking
Manos. The "worst movie of all time" that was a muddy mess visually and a kick to the brain in about every other way imaginable. But then I saw the first restoration picture, and I was immediately intrigued.
This is the best bit from that article:
A common refrain I've heard is that without Joel and the Bots, the movie is "unwatchable," but I suspect a big part of that is the bad visual presentation that the movie has always had. When you divest Manos of its grimy, unpleasant patina, you are still left with an amateurish, weirdly edited, small-town horror film. But with a clearer view of the production design (paintings, metalwork, and stone sculptures by Tom Neyman, a local artist who played The Master), the off-kilter handmade world the film presents, and the shaggy but poppy Ektachrome photography by Robert Guidry, 45 years later Manos assumes a different identity as a fascinating bit of 1966 ephemera.
After reading that I'm definitely going to watch the cleaned up copy, just to see what the creators originally intended. I don't expect to like the movie or for it even to approach competency. However, being fairly ignorant of film processing techniques I never realized how much shoddy duplication and post-production efforts can completely demolish the aesthetic impact of a film.
Here's the Kickstarter
link. Now I just have to decide if I want a pin or a t-shirt...