Articles Reviews Barnestorming #324- World Conquerors in Review, Cracked LCD moving, Green Lantern, Japan
 

Barnestorming #324- World Conquerors in Review, Cracked LCD moving, Green Lantern, Japan Barnestorming #324- World Conquerors in Review, Cracked LCD moving, Green Lantern, Japan Hot

world-conq Cracked LCD is MOVING?!

On the Table

This week I’ve reviewed Jeff Siadek’s World Conquerors, a surprisingly good- but fairly abstract- dudes on a map game that kind of distills the idea of History of the World down to a streamlined minimum but with historical leaders instead of civilizations driving the ebb and flow of territorial empires. I actually didn’t ask for the review copy, they sent it to me along with Banditos. I have to say that it’s one of the best unsolicited review games I’ve ever received.

The review is in its usual…oh shit. Wait. It’s not. Cracked LCD is permanently moving to Nohighscores.com. My reviews, editorials, the next Barnes’ Best, all of it will be there from now on, with Barnestorming continuing here. The schedule may be a little more fluid without deadlines, but I am going to try to keep it to an every Thursday concern, as I have since 2007 without missing a single deadline. No further information available at this time, watch the skies. If someone is able and willing, I need to get the word out at BGG that my column is moving there…we have a pretty big readership that comes from BGG, I’d like to maintain that.

Review copies are inbound of Empires of the Void and hopefully Abbadon. Next week I’ll take a look at Banditos. But I’ll be thinking about Mice & Mystics.

I have a little column up at WorthPoint about Dark Shadows board games…they like topical stuff, and what with that Burton/Depp flop in theaters…

On the Consoles

Played a bit of my dollar copy of Marvel Ultimate Alliance. It’s pretty good, it’s really a dungeoncrawl. Pretty mindless, but for some reason it really registered with me for a couple of days.

I’ve also gotten into Awesomenauts, a MOBA-style platformer on XBLA. I didn’t like it at first, but I found myself drawn back into it and paid the $10 for the full game. It’s pretty neat. Three on three base raids with drones, skill trees, Super Smash Bros.-style mayhem, and an terrific Saturday morning cartoon-style intro and theme song.

And I’ve started playthrough 2 of the Witcher 2, after finally finishing it. The entire second act is different if you make a particular choice at one point in the game. I can’t miss it.

Should have a review copy of Dragon’s Dogma on its way, we’ll see how that goes. It could be “horribly”, but I liked the demo a lot. Visually, it had an almost Hildebrandt like look to it that I thought was pretty neat.

On IOS

So I got Storm of Souls, and it’s great. It’s drawn me back into Ascension, but I’m only playing a maximum of one screen full  of games at at a time (six). One of the best features they’ve added is that “next game” button, what a tremendous help that is.

Mostly using iPad time for comics…god, I love Comixology. But I’m realizing that I’m woefully out of touch with current comics. Any suggestions? I do like supers, I’m not one of these “no capes” people. Thinking about checking out The Runaways, We3, the new Detective Comics…otherwise, I’m plowing through Infinity Gauntlet and the Brubaker Cap books. I wish the collections weren’t just a damn dollar off from buying the individual issues.

On the Screen

In my quest to catch up on all of the superhero movies I snubbed on release, I caught up with Green Lantern. Holy. Shit. I don’t think I’ve ever seen a more vapid, soulless movie in my life. It literally feels like no one involved in the production gives a royal fuck about anything that’s going on anywhere in front of the camera or behind it. The screenwriters obviously tried really, really hard to make a serious Green Lantern picture and did their homework, pulling in all of the Green Lantern Corps stuff and going for more of a sci-fi thing. At least they had Sinestro, Kilowog, and the gang in there…but so what, the movie completely blows.

It just doesn’t work at all. The Oa scenes are horrendously overproduced, overprocessed, and overblown. The earth scenes feel plastic and likewise overproduced. It’s like Cheese Whiz.

But the entire time I was thinking how it COULD have been good if it had been an all CGI film, totally animated. And not a TV cartoon CGI film, a big Pixar/Dreamworks class production. I had read that they really wanted it to be a Star Wars-class franchise, but you can’t do that when your character is crap, the action is laughable, and the story is directionless and meandering.

It occurred to me too that the idea of Green Lantern just does not work in a real world context- at least not without some kind of humor or levity. I remember years ago hearing that the Green Lantern film was going to be a comedy, and I think at one point Jack Black was going to play Hal Jordan or something like that. It’s probably an unpopular opinion, but I think that actually would have been much more palatable than this dreck.

On the upswing, River has gotten REALLY into watching the Batman Animated Series, which is still wonderful even though the animation now looks creaky and it is in dire need of some kind of remastering or restoration. He can’t really say “Batman” yet, so he calls it “Betmeh”. We watch an episiode every night before bed, and he apparently thinks that all sportscars are “Betmeh cars”.

I got him a DVD of therecent Brave & the Bold series, it’s really pretty good. It’s more of a lighter, Super Friends-style Batman with tons of obscure DC characters popping up. Gentleman Ghost, what!?

On Spotify

We were in this noodle joint the other day called Tin Drum and they have this gigantic wall mural of the cover of Japan’s 1982 record “Tin Drum”. It occurred to me that I have never really listened to Japan outside of a perfunctory scan of a fifty cent cassette of “Oil on Canvas” I bought some years ago at a Camelot Records going-out-of-business sale.

Once again, bless you Spotify. I’ve been listening to their pre-“Gentlemen Take Polaroids” stuff, the records that are often kind of dismissed by the critics. I think “Adolescent Sex” is great. It’s definitely a record that every member of Duran Duran must have been listening to, if only to copy hairstyles and fashions. But it’s properly sexed up glam rock with a punkish sneer and Mick Karn (RIP) unloading some pretty dazzling funk and R&B basslines. David Sylvain hadn’t gotten into that more cosmopolitan, Bryan Ferry-esque croon yet, sounding sort of like a cross between early Robert Smith and Paul Westerberg. And that tradmark fretless bass burble hadn’t been introduced yet, either.

I’ve got “Obscure Alternatives” queued up next, but Spotify oddly doesn’t have the third record, which has “Quiet Life” on it- a song you may have heard in GTA IV on the new wave station. Then I’ll move on to the more respectful, sophisticated albums including “Tin Drum”.

If I show up at Avery’s thing with a giant, blown out bleach-blond pompadour, Elizabeth Taylor make up, and a white evening blazer you’ll know what happened.

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Comments (37)
  • avatarbenny lava

    Some comics suggestions.

    Vertigo has some excellent stuff. Try 100 Bullets, Scalped, Unwritten, Sweet Tooth, Y: The Last Man and DMZ for starters. You can't go wrong with anything Brubaker has done - Cap, Sleeper, Criminal, Incognito. Warren Ellis is another fantastic writer - Planetary, Fell, Global Frequency. Matt Fraction and Jonathan Hickman are terrific as well. I could go on and on. PM me or reply here if you want further input.

  • avatarmetalface13

    I like super hero stuff, but can't stand all the crossover gimmicks. So here are my comics recommendations (no idea what you have/haven't read)

    Invincible: Written by Walking Dead creator Robert Kirkman. It's a fun teenage superhero comic, feels like a cross between Superman and Spider-Man. It's in the Image universe so occasionally Savage Dragon or somebody makes a cameo, but not often enough to be a big deal.

    Runaways: Brian K. Vaughan's run on this series he created was great and a lot of fun. Again, even though it's Marvel it was on the fringes of the Marvel Universe for quite a while. Then Joss Whedon had a short run which was not as good, but still pretty good, but then Terry Moore took over and it turned to crap. You would've thought Moore would've done better ...

    Astonishing X-Men: I know you hate Whedon, but this is the best X-Men run I've ever read. Whedon makes Kitty Pryde into a really awesome character. John Cassaday's artwork in the series is amazing as well.

    Y: The Last Man: Another Vaughan book, he happens to be my favorite comic writer, and this is my favorite work of his. In fact, might be my favorite series of all time.

    Fables: My runner-up to favorite series. Take a bunch of fairy tale characters, put them in New York have them trying to reclaim their fairy tale homelands from an evil Adversary and all sorts of wackiness ensues.

    Criminal: Ed Brubaker doing his noir thing.

    Sleeper: Another Brubaker book about an undercover super hero in a super villain mafia. His handler is attacked and put in a coma, so nobody knows he's really a good guy while the lines of his personal morality get shifted all over the place. Probably the best comic about what a world with super villains in it would really be like.

    Hellboy: Always fun.

    Astro City: Another realistic portrayal of life in a city full of super heroes. Told from all kinds of different perspectives and heroes.

    DMZ: I dropped off reading this one a while ago, but it was pretty cool. At some point in the near future there's a civil war in the US and NYC is a demilitarized zone. Follows an embedded journalist reporting on the war in there.

    iZombie: Yeah it does the supernatural/hipster shtick, but it does it pretty well. Plus it has the artist from Madman, Mike Allred. This girl Gwen is a zombie and if she doesn't eat a brain about once a month she goes all walking dead. So she works at a hippie/green cemetery as a grave digger so she digs up bodies after they bury them. The catch is when she eats the brain she gets their memories and ends up resolving some unfinished business for them. Her best friends are a the ghost of a mod girl who died in the 60s and a nerdy guy who's a were-Scottish terrier.

    The Unwritten: Another that deals with the power of fiction/literature (Fables gets into a bit too). Follows a guy who's dad wrote a series of Harry Potter-esque novels featuring a character with the same name as his son. Then his dad disappears before the series is finished and then weird things from the book start happening to the guy in real life.

    Mouse Guard: You know about Mouse Guard, but if you haven't read it, shame on you. Another runner up for my favorite series. Gorgeous, adorable artwork.

    As you can see, I like a lot of Vertigo stuff.

    Other comics I've read an issue or two of or that I want to check out myself:

    The Sixth Gun: Supernatural/Western/Horror
    Saga: New sci-fi series by Brian K. Vaughan
    Joe the Barbarian
    Irredeemable: What happens when the most powerful super hero in the world goes bad
    Thor: The Mighty Avenger

  • avatarMichael Barnes

    Yeah, I've done 100 Bullets, Y, and most of the major Warren Ellis stuff from my last go-round with comics, 2003-2005 or so. I was curious about Fraction, seeing his name show up a lot. Thanks for the tips!

  • avatarbenny lava

    Great recommendations from metalface13. Fraction is best known these days for Invincible Iron Man, but Casanova and Immortal Iron Fist are great reads too.

  • avatarmetalface13

    Fraction's Cassanova is fun. Interdimensional spy stuff is trippy.

  • avatarJonJacob

    Metalface has a good list. Of what's on that list I think Astro City does the super hero thing the best. I love Planetary as well. You've probably already read that one. WE3 since your looking at it is really well done. It's worth your time. It's short and doesn't do a lot but what it does do is fun and Quitely turned in his most interesting art ever, with lots of experimentation ... for him.

    I love Invincible but it is crap to some degree. If your not hooked after the first three books (book 3 is where it picks up) then you never will be. It's fun but it doesn't do anything Astro City didn't already do much much better. Just the one Astro City story: Eagle and the Mountain, beats all of Invincible in one issue. It's about as good a funny book as I ever read. He turns in one of the best cape stories of all time in just one issue. There's one about Beautie that is mind blowing as well, especially considering the character he chose to use and in the second trade there's one about a villain who wants to get caught called "Show em' All" that's fucking brilliant.

    Morrison has a lot of good stuff actually. All Star Superman was allright but Invisibles might be his best work. I enjoyed WE3 and it's cousin book Vimanarama a lot. His short stuff is usually readable.

    I assume you read all of League, don't listen to the haters, Black Dossier is great as is the two books since then. It's a complete departure and very experimental but it's so incredibly unique it's unmissable, same with Lost Girls which I adore... just keep it away from children. Seriously.

    If you haven't seen Seth Fisher's work you owe it to yourself to do that. He died too early and never got a good script but he still quietly turned in a number of books that are worth our time for the art style alone. Green Lantern: Willworld has his best art. Fantastic Four: Big in Japan and Batman: Snow are the other two. Snow has the least amount of signature touches in the art but all three are a good read despite having mediocre scripts.

    The only book I buy off the shelf right now, besides Astro City when it rarely comes out, is Glamourpuss, I think it's absolutely the most unique book in the last decade. But not for everyone. It's a history of comic art with a focus on hyperrealism in particular, a fashion satire, a platform for his misogyny and belief in Islam, a satire of modern comics, part biography on Alex Raymond and some theories on who these people where and what they accomplished.

  • avatarJonJacob

    Shit I forgot Fear Agent. It's the most fun Sci-Fi comic I've read in years. I think there' s 4 or 5 trades now. Great stuff.

  • avatardragonstout

    The best mainstream comic I've read that's come out since 2004 is easily ALL-STAR SUPERMAN. I cringe at the idea of reading it on a tablet; my oversized Absolute edition feels like the only way to go, the art is incredible. I'd put ALL-STAR SUPERMAN second only to DOOM PATROL in Morrison's ouvre, and I've read almost everything he's ever done (and put DOOM PATROL as the best superhero comic since WATCHMEN). I do need to read FLEX MENTALLO again.

    Let's see, what else has come out since 2004...I've *tried* reading a lot of acclaimed genre stuff that's come out in the last decade, but I find almost all of it wildly overrated. I mostly can't stand Brian K Vaughan (feels like straight-up imitation Joss Whedon), but I DID like RUNAWAYS best of everything of his I've read, mainly because his normally incongruous constant pop-culture referencing actually made sense for a bunch of 16-year-olds. Ed Brubaker is definitely good, SLEEPER and CAPTAIN AMERICA are what I've read, I'm just not that into what he does (serious, slow, noir superheroes); I've got the first CRIMINAL paperback sitting on my bookshelf that I really need to read, maybe if he's not doing a weird genre mash it'll feel more natural. Robert Kirkman's Walking Dead and Invincible are both crap. ASTRO CITY, I used to be a big Astro City fan, but they all feel like "a very special episode of Astro City", it's just a novelty: "low-key character-based drama - but with SUPERHEROES!" And the superhero twist conveniently covers up the fact that just because it's a low-key character drama doesn't mean it's a *good* low-key character drama.

    Oh shit, the one other REALLY fucking good mainstream book that came out since 2004 was PUNISHER MAX, by Garth Ennis. His earlier Punisher comics were kind of shit, but this 60-issue series was just killer. PREACHER is one of my favorite comics ever, but I think PUNISHER MAX was bother better written and also a more impressive achievement: the amount of water he was able to get from that stone.

    In the alternative comics world, the last couple "issues" (they're full-blown, mostly self-contained hardcovers) of the ACME NOVELTY LIBRARY, #19 and #20, are serious competitors for "best comics of all time". Dan Clowes also did his as-of-yet lifetime best work, THE DEATH RAY, which also happens to be a superhero comic. Those are the best of the old '90s guard of alternative cartoonists; I have yet to be that impressed by anyone in the new guard outside of Kevin Huizenga. The new guys are artsy-fartsier, looser and sloppier, the old guys are more literary and have more focused writing and art chops.

    There have been a ton of great reprints of old comics since 2004; we're almost inarguably in the reprint renaissance right now. But for me, the most revelatory of all of them was finally getting to read Jack Kirby's FOURTH WORLD epic in four big fat hardcovers (now paperbacks, too). I'm dying to read it again already, and it's easily my favorite Kirby comic now.

    So to sum up:
    ALL-STAR SUPERMAN
    PUNISHER MAX (the Garth Ennis run)
    ACME NOVELTY LIBRARY #19 or #20
    THE DEATH RAY
    KIRBY'S FOURTH WORLD

    Also: pppppppppppplease take a look at my thread where I have a shitton of comics for sale for really cheap, many of which are either recommended by me or by other people above:
    http://fortressat.com/forum/28-trade-forums/120899-dragonstouts-gigantic-games- a-comics-sale

  • avatarmoofrank  - Jeff Siadek

    He's quite an inventive designer, and I think I've managed to play all his games except:

    Throwing Stones. The game that sunk Gamesmiths. It was a custom die arena combat/rpg. It looks cute, and Steve just got a copy recently.

    Bloody Pirates. This is a little pirate minis combat tactical game. I need to take a look at my copy again to see if there are any twists I missed. The production is pretty psycho as it is all lasercut wood.

    The particularly awesome one that Barnes missed is Monster Rally. It is kind of like either the cool version of Titan: The Arena, or the gamer version of Magical Athelete. One race, more monsters, and some pretty deadly combat. The end result is a game that totally manages a Wacky Races feel, and is probably a great game. Also supports any number of players. Literally. The box says 2-(Infinity). The components are oh dear god awful in a special 80's kind of way.

  • avatarSpace Ghost

    We love Monster Rally.....just such a great, fun bluffing race game. Much better than Magical Athelete in my opinion

  • avatarStan Leer  - Comicx miss

    What no Locke and Key??? I think this is by far the best series I have read in years. I could not get into Fables at all. I will second Invincible. Just good olf fashion super hero fun with a great twist. If nothing else read just the first Invincible Omnibus. I also really like Ex Machina. Fantastic. Better th Vaughn than Y for me.

    I found that my local library system has a remarkably impressive comic book collection in the form of trades and Omnibi.

  • avatarjpat

    Green Lantern. Ugh. That was terrible in every respect, as you say, Michael, and I don't think the hypothetical comedy retool would be such a bad idea. I'm by no means trying to offend any GL fans out there, but the Golden Age conceits that were basically transported to the 2010s simply don't work, and I'm not sure whether they could be made to work without significant adaptation by even decent filmmakers, of which none appear to have been on hand for this turd. It struck me, watching the film, that it's a good example of why DC's older heroes have a harder time making a living on the big screen: they're aloof, Olympian, and have the sorts of single-dimensional character flaws that seem like they were picked out from a list in a supers RPG book to balance out the powers.

    Of the movie, certainly the less said the better, but I have to single out the Hal Jordan "training" sequence as perhaps the most quarterhearted attempt at a standard movie trope as I can recall. And the utter ridiculousness of the unmotivated post-credits epilogue is beyond irredeemable.

  • avatarmetalface13

    I read the first volume of Ex Machina and couldn't get into that.

    Locke and Key is another one that's on my "to read" list. So is Beasts of Burden.

  • avatarSpace Ghost

    Dark Shadows Board Game is a classic in our family -- it is a pretty good race game with nice hand-management, but the art on the paper board is top notch. This, along with Wizard's Quest, are the first boardgames I remember playing. I grew up playing DS with my great-grandmother, who loved it. The paper mat disintegrated, so my mom woodburned the entire thing onto a huge piece of wood; still gets played at Christmas.

  • avatarSuperflyTNT

    Jeff is the shit. I really dug what he did with Battlestations, and there's nothing out there that does what it does. Never has been. There's lots of games that do some things it does, but to have space combat AND true boarding combat, with actual like...sub-boards to do the combat on, it's bitchin. I wish I had been an early adopter. I do agree that it's really complex, but if you digest it after a while, it grows on you and then you've got meaningful ship building, crewing, the whole 9. I just wish it didn't take 2 days to play, because I have kids who like to mess with my stuff.

    I think I'll just have to buy it on GP: Jeff Siadek,Non-wanky parts (See: Battlestations, and DOAM? And it's got little known despots? I'm in.

    As an aside, I'm guessing that you're going to be continuing to write for GS, hopefully the video game end if they got sick of the board game stuff. Quite honestly, the only times in my entire life I ever went to GameShark, for any reason, ever, was to read CLCD. And now that it's NOT there, I have no reason to go there ever. GameFAQs, IGN, Game Informer....I have my gaming shit covered, especially if I don't actually know someone writing there. So, GS, if you bumped Mike, fuck off straight away and don't stop until you smell burning hair.

    If only there was someone doing ACTUAL iOS reviews instead of the total douchefest that passes for reviews at "Board Game Geek News". Without Eric Martin that whole fucking area should implode and be forgotten.


    ...

    As for Green Lantern, Hal Jordan is my all time favorite comic character after Rom: Spaceknight (which is sad, yes, I know) but at the end of the day, you totally misinterpreted what you THOUGHT you heard about it being a comedy. Not a comedy, a JOKE. And it suceeded wildly because while I was entertained a little bit, it was like watching a baby seal being beaten to death...just wrong on so many levels.

    The best thing to come out of that abortion was the XBOX360 game, which cost me like 5 bucks and was one of the most fun button-mashers I've played in years, even despite the worst "let's fly 2 inches cutscene" in the universe that happens every 30 seconds. But, I was OUT OF MY HEAD when I played it with my wife. So it was fun. Lame ending, lame puzzles, but somehow, fun. Better than the movie, fo sho.

  • avatarJosh Look

    Some comics to check out-

    Batman from the new #1 and on. Scott Snyder is a name to watch, and as much as I loved his "Black Mirror" story in Detective, which is worth checking out as well, this "Court of Owls" is even better. There's one issue in those first 7 that had me totally floored. Great, great stuff. It's a bit slower paced, but his Swamp Thing run has been really good as well.

    Mark Waid's Daredevil relaunch is really awesome, arguably the best super book on the shelves at the moment.

    I think there's some really fun stuff going on in Amazing Spider-Man right now. From where Dan Slott takes over as full time writer (I think it's the "Big Time" storyline), the book has been consistently good and TONS of fun. Might be a bit biased here since I love Spidey, but if that's a character you're into, it's definitely worth reading.

    Geoff John's Green Lantern starting from Rebirth right through Blackest Night is great, the best the character has ever had it. Things kind of peter out around Brightest Day, but The Sinestro Core War ranks among my all time favorite superhero stories. Absolutely fucking killer.

  • avatarDair

    I'll throw my support behind a few comic recommendations up above.

    Criminal - Ed Brubaker is great and this and Sleeper are his best. I didn't like Incognito, but maybe that is just me.

    The Unwritten - I only saw one recommendation for this up above, but this is my favorite book out there.

    Mouse Guard - You may already know this, what with the pining for Mice & Mystics, but it is a good read. I also enjoy Mice Templar, Mike Avon Oeming's entry into the sword & sorcery with mice category.

    Dragonstout mention Dan Clowes. I've pretty muched loved his stuff since I read Ghost World. Death Ray is good, but I like David Boring better. Like a Velvet Glove is a classic that you would love if you haven't read it before. I think I have a second copy around here somewhere, so let me know if you are interested. You may have read it in your last go round (not sure when it was out. It started issues ago in Eightball, but that is probably 10 years or so).

    Casanova - I'm only partially through the first series, but this is good fun. Definitely worth the low price on Comixology.

  • avatarJosh Look

    I actually prefer Mice Templar over Mouse Guard. I love the artwork in Mouse Guard, it's absolutely gorgeous, but the plot is pretty thin. The inverse is true of Mice Templar.

  • avatarJosh Look

    Astonishing X-Men: I know you hate Whedon, but this is the best X-Men run I've ever read. Whedon makes Kitty Pryde into a really awesome character. John Cassaday's artwork in the series is amazing as well.

    Yup, ditto on this. Say what you will about Whedon, you can't say he doesn't get team dynamics and balancing 8 or 9 characters at once. If you like the X-Men in anyway shape or form, I don't think you could do any better than this book. No, it is't as important as what Claremont did, but it reads a hell of alot better. The best X-Men, hands down.

  • avatarmoofrank  - Dark Shadows games

    Sandi is an Dark Shadows addict. Enough that she bought the recent coffin-box DVD set. Consisting of every freaking episode. This is a soap opera that ran daily for 5 years, so that's a LOT of episodes.

    The Dark Shadows game is actually staggeringly good for a family game of that period. It is a reissue that is lightly rethemed of an earlier game called Creature Castle. (Oddly enough, with a different board pattern.)

    Both games come with a deck with the exact distribution of a standard 52 card deck, and a version of the game came out in Germany in the 80's called Karten Rally which did use the standard deck. Alan Moon was a fan of all of these, and created a set of (not very good) house rules, and it is clear that they heavily influenced a couple of his games like Pony Express and Elfenroads/Elfenland.

    The games are kind of an advanced Candyland. Except you have a hand of cards, and must play a card matching the next space to advance one space at a time. The spaces can be Red/Black, High/Low, Suit, or Royal so there are some options. There are also quite a few shortcuts that invariably require Royal (J,Q,K) cards to bypass several spaces.

    While it is easy to plan the basic linear movement for anyone over 12, it is a pretty impressive step up from Candyland as a kid's game. Once you add the risk analysis, and being roughly tracking Royal cards to work out the odds of being able to take a shortcut, it is a pretty reasonable game. And one of those brilliant 50's - 60's game designs alongside Astron.

  • avatariguanaDitty

    Northlanders is some good brutal Viking stories and vignettes. Halfway between something that might be realistic and completely not, but great stories nonetheless. Particularly good writing.

    Pluto is a bit old, but it's absolutely one of the best science fiction comics I've seen. It's manga, but without all the lolicon crap that people hate. Great writing.

    The Walking Dead and Daredevil are two that seem to be liked by everyone I still have to check out myself.

  • avatarKen B.

    Damn Barnes, I've been out scouring for lower-profile games to cover...and YOU KEEP TRAMPLING MY SCOOPS.

    Luckily I won't be ready to review Banditos or World Conquerors next week, so I'll space out the second opinions. Banditos looks completely and utterly hilarious, though. "Ebony and Ivory starts playing on the prison radio. Ironically this causes a riot to break out."

  • avatarMichael Barnes

    Lots to catch up on. Games first.

    Yeah, Banditos is fun and funny. The concept is totally original too...should review pretty well. One thing that is significant is that these are successful Kickstarter titles so they are "games in hand" versus the vaporware stuff.

    For some reason I thought that Creature Castle was a redo of Dark Shadows...I think I have that in the article.

    We played Monster Rally at Swamp Castle once...I _loved_ it. The box art and rules are hilarious, the gameplay is ridiculous. It is like Magical Athelete, but with more detail and rules. It's one of about five games that I'd be willing to buy and pay money for. I always forget about that game.

    Battlestations just _never_ worked with anyone I ever played it with. I love the concepts, I love the scope...but I've sat and watched that game completely tank like six times now. Jeff Siadek actually personally handed me the copy I have when I met him at GAMA back in 2005. He was SO excited about it, it was him and his brother and they were just so thrilled that I wanted to check their game out. I love enthusiam.

  • avatarSpace Ghost

    We all mean Monster Derby not Monster Rally - in case people are trying to look it up.

  • avatarMichael Barnes

    Comics. So the recommender has become the recommendee! Thanks all.

    Wait, ROM: Spaceknight? Oh man, I loved ROM! I had the big ROM figure...wish I still had it.

    A lot of this stuff I've read, it's really the post-2005/2006 stuff I haven't. Back during my last comics cycle, I had a friend that would loan me longboxes at a time so I was pretty up on everything from that time. He'd loan me entire runs of Transmetropolitan, Planetary, etc. It was great, I was reading thousands of dollars worth of comics for free.

    I downloaded a bunch of stuff last night based on y'all's recommendations. A lot of things have free first issues on Comixology, so that's great.

    I think you're dead right Jpat on Green Lantern...and about why DC stuff doesn't translate too well to other mediums. I've actually never been much of a DC superheroes fan outside of Batman and the occasional stint where a good writer gets a hold of Green Arrow, Flash, or whoever. Like you said, they have this more "Olympian" tone than the Marvel stuff that is old fashioned and really kind of silly. Everything about what they do outside of Batman and the core Superman stuff has always seemed second-rate to me. And it is likely because Marvel is so much more grounded- even in the ridiculous cosmic stuff they do with Galactus, Beyonder, Thanos, and so forth.

    It's one thing I like about the Brave and the Bold shows...it's got these obscure DC characters but it totally makes light of them. "We're B-list, we know it".

  • avatarrepoman

    ROM...I thought I was the only one that bought those comic books. Never had the toy but I got that comic every month.

  • avatarjeb

    No Micronauts love?

  • avatarThirstyMan

    Well, thanks for that Barnes. I am now spending a shit ton of money at Comixology.

    What is The Secret History like? It looks cool to me. Is it worth it?

  • avatarShellhead

    I stopped buying comic books a year ago, while saving up for the down payment on my first house. It wasn’t painful, because I had already discovered that the public library has a great collection of trade paperbacks and hardcovers. I was finally getting really burned out on mainstream superheroes anyway, so this was a great opportunity to try a variety of modern Vertigo and indie stuff.

    Marvel:

    Agents of Atlas – Marvel continuity has become oppressive and crappy in the last ten years. Either you buy heavily into the semi-annual crossover events, or you look for the great stuff that is mostly disconnected from the crossovers, like Agents of Atlas. Jeff Parker takes a fresh look at some 50s heroes and brings them back to life with action and humor.

    Astonishing X-Men – Whedon and Cassaday did a fantastic job. This was the best X-run since Claremont and Byrne stopped working together. There are some unforgettable great moments, like when Cyclops does his Get Off My Lawn moment, or when we find out the truth about Wolverine being the best at what he does.

    Iron Fist – Just get the first 16 issues plus the annual and two one-shots. Or just get the Omnibus. Brubaker and Fraction did great work on this brief run, and the Aja artwork is great. Unfortunately, Aja works slowly, so there is some disappointing fill-in art too. Avoid anything else by Fraction, except maybe the first half dozen issues of Invincible Iron Man.

    DC:

    I decided to pass on the DCnU for now. In a well-intended attempt to reach new readers, DC rebooted most of their universe, except for Batman and Green Lantern, leaving a messy clusterfuck of half-assed continuity. There are some good comics right now, but they tie into the overall mess. Before the reboot, I was enjoying some DC comics…

    Batman & Robin: Somebody put a leash on Grant Morrison for this run, but it’s still very good and a nice follow-up to his previous work on Batman.

    Batwoman: Rucka & J.H. Williams III did a great job. Pick up the fancy hardcover, it’s well worth it.

    52: This was a few years back, but still worth a read. Four of DC’s best writers, doing a weekly title featuring a half-dozen C-listers during a lost year of DC continuity. It ends up being a fantastic survey of DC Earth, with some great twists and turns. IIRC, it was Morrison, Waid, Rucka and Johns. The art isn’t too great, but an issue a week is an insane schedule for an artist, even if he is just doing the layouts.

    Seven Soldiers – This was also from a few years back. Morrison writes about 7 C- and D-list heroes, with each getting a four-issue mini-series, and then there are two bookend issues that pull it all together. The whole run is rich with a imaginative ideas, layers of symbolism, and a nice self-contained set of continuity yielding interesting links between each of the minis.

    Vertigo:

    Ex Machina – The unusual combination of superheroics and politics is fresh, and BKV really makes it work. Enjoyed it up until the crappy ending.

    Fables – The first dozen trades are really good and then it got stale. Avoid the Jack of Fables spinoff.

    iZombie – I am so burned out on zombies, but this was light and fun.
    The Losers – The two trades are a great deal. If you enjoyed 100 Bullets, you will probably enjoy The Losers.

    Scalped – Amazing writing by Jason Aaron. This is a riveting story of organized crime and corruption on a reservation that has just opened up a casino. All the characters are bad people fucking over each other, but Aaron digs deep into even the worst of them, making them fully-realized and believable human beings. If you only buy one comic from my list, get Scalped. It starts strong, and by the end of the third trade it becomes absolutely compelling.

    Other companies:

    Irredeemable and Incorruptible – Irredeemable is the basically the story of Superman turned evil, while Incorruptible is the story of one of his enemies turning good. Sounds potentially boring, but Mark Waid (writer of Kingdom Come) does a great job with both of these books. Surprising plot twists, dramatic cliffhangers, and some interesting character development. I especially enjoy the adventures of Max Damage, a tough, brutal, stoic ex-villain with good intentions and bad instincts.

    Potter’s Field – Just a mini by Greg Rucka, featuring a character that is very similar to the Question. Very good story.

    The Unknown – An interesting Sherlock Holmes pastiche, with some great artwork by Minck Oosterveer. The first trade reminded me a lot of an old Call of Cthulhu adventure involving the Orient Express. I’m betting that Mark Waid played or ran that adventure.

    Rex Mundi- I have only read the first two trades, but it was pretty interesting. Great artwork and a tale of occult intrigue in an alternate reality Paris.

  • avatardragonstout

    Just warning you, since Whedon's Astonishing X-Men has been so repeatedly recommended here, that it's not universally loved; in fact, it was the first Whedon thing that really started driving me crazy with all his tics. The truth is that I don't think I've ever read any truly great X-Men comics. The original Kirby ones are okay, the Claremont-Byrne ones are okay, the Grant Morrison run is my favorite X-Men run but pretty far from being anything close to my favorite Grant Morrison comics, and the Whedon run was also just okay.

    Geoff Johns' Green Lantern run, really? I guess if you like ultra-violence with your Green Lantern. I felt like I was reading a horror comic, which seemed a liiiiiittle incongruous.

    Okay, done shitting on everyone's favorites. It's just so fucking hard to find comics that aren't WILDLY overrated, both on the superhero side, on the alternative side, and ESPECIALLY on the "independent & creator-owned but still mainstream-y" side, where everything either feels like a high-concept film pitch or like they're publishing the world they doodled in their notebooks in junior high.

    Shellhead's convinced me to check out SCALPED, though.

  • avatarMichael Barnes

    OK, I just read the first Astonishing X-Men. The character work is good, the introductions were fun, Cassaday's on it as usual...

    But why the FUCK does there need to be a god damned Harry Potter reference on like page two?

    Oh yeah, that's right, it's Joss Whedon. He has to nudge you in the ribs and remind you that he's a nerd "like you" every five minutes.

    I dunno, I liked the book and bought the second, it sounds promising...but the Whedon crap...good grief, do you people LIKE being pandered to like that? I mean, I love Harry Potter and all...but that kind of referencing is so amateur. It's like the kind of thing you do when you're starting out as a writer and you want to impress somebody.

    Scalped sounds _great_!

    Andy- it's not my fault, brother. God made this thing for you to use. So use it.

    Do take a look around though, I've found a lot of free issues worth reading. They should do issue #1 free on everything there.

    $3.99 for a day and date book is ridiculous though, to hell with that.

  • avatardragonstout

    Thank you for being what feels like only the second person to be annoyed by Astonishing X-Men. All of Whedon's comic work has been more annoying than his TV & movie writing, I think because when an actor with good comedic timing can pull off these lines, but when it just sits there on the page it feels so much more forced and awkward.

    You said you read Y: The Last Man - I found that way the hell more obnoxious in terms of unnecessary pop culture referencing.

  • avatarJonJacob

    Astonishing X-Men is just ok. I prefer the first 6 books of Ultimate X-Men, was that Morrison? I can't recall. The best thing about Astonishing is: "I'm not made of steel, I'm made of RAGE" and that's pretty telling in and of itself. When a cornball line like that epitomizes the whole work. I enjoyed it, my brother hated it... especially the ending, but he's a douche sometimes and can't enjoy silly fun like this stuff. I can.

    The best thing he ever did was Firefly and I think that's because he couldn't put pop culture references in there. I hate that shit, it dates a work really quickly and painfully. I didn't even remember the Harry Potter reference but I think it's not there to make the nerds say: "Oh, Whedon understands me" it's there so the nerds can say: "Hey, I can get along with the X-men because they're just like me.

    But they're not. I like Dollhouse too.

  • avatarShellhead

    Barnes, your wish is just about granted, at least with respect to Scalped. The writer and the artist are offering a moneyback guarantee on the first issue. This link will take you to a spoiler-free page with favorable quotes from Brubaker and Ennis and that guarantee offer:

    http://www.scalped.info/

    There is also a link for a free download of Scalped #1, but that link is dead. It's been over five years since Scalped started, and the series recently ended, so DC probably didn't see the point to leaving that free download out there.

  • avatarmetalface13

    Pop culture references don't make me feel like I'm being pandered to, it makes me feel more like the stories are taking place in my reality. That's just me, I guess.

  • avatarThirstyMan

    Just shelled out $125 for Absolute Planetary Book 1. I think I need it in my collection.

    So anyone got any information about The Secret History series, an occult conspiracy version of history? There are some omnibus editions on Comixology so I'm thinking of buying in, but could do with a review of sorts before I do that.

    Enjoying The Invisibles on Comixology. Shit!! I can see my spending totally getting totally out of control.

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