Articles Rants & Raves Barnestorming #874- The Bad News Bears of Gaming, Batman,
 

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Barnestorming #874- The Bad News Bears of Gaming, Batman,


 I suck at Summoner Wars. And all other games.

On the Table

I didn’t feel like writing some heavy crap this week nor did I feel like finally writing up Infiltration, the Levee en Masse app, or Dungeon Command. So I just wrote a little fluff piece about what a loser am I at board games. If you’re playing me in Summoner Wars, you may have already surmised that I’m just really bad at games.

I like Dungeon Command though, it’s really simple but the cardplay system is pretty cool and it’s a pretty decent skirmish game overall. It sort of feels like a way-streamlined DDM, which is fine by me. I don’t really like that it’s a piecemeal product and that you’ve got to buy sets, but so far I think it’s fun and it’s definitely in tune with WotC’s other recent D&D board game releases. Fast, accessible, fun to play.

I decided against reviewing Descent 2nd edition. I’m not willing to buy it for one thing, but for another I’m just not that interested in it. Hopefully one of the others here will pick up my slack. More interested in looking at Mage Wars, which is on the way.

 

On the Consoles

JRPG rampage 2012 continues.  I’ve got literally eight of them started and in various stages of completion. The latest I started was Resonance of Fate, which I think I may actually love despite all of the negative reviews. It’s unlike any other game I’ve ever played. It’s obnoxiously complicated and esoteric. It’s totally OCD- you level up in using certain guns, then you can mod those guns with all kinds of parts with all kinds of stats. Then you can use those guns to shoot wild dogs that wear vests and ties. The world map is this crazy hex puzzle thing you have to complete by finding pieces. It makes no sense whatsoever. But god damn it, is it refreshing to play something so squirrely after years of Assassin’s Creed, Gears of War, et. Al.

Xenogears is moving on slowly but surely, it’s really great but it is very old fashioned. It must have blown minds in the 1990s to see video game characters talking about killing god. Final Fantasy XIII has turned out to be surprisingly good, I love the combat system. I’m now about 30 hours into Persona 3 and it seems like the game will never end. One cool thing about it is that you’re in school, so when the midterms are coming you really feel like you’ve got to cram, spending your time studying rather than making time with the ladies or going on the dungeon crawl.

And Valkyria Chronicles…man, what a game. The only thing is that it takes a long time to play at this point. A mission might be an hour to an hour and a half long with no save. And I’ve failed a couple 45-60 minutes into them…which is cool, because stakes are really high and there’s lots of nail-biting tension. But it sucks when you’ve got to start over.

 

On IOS

Tempted by Great Big War Game…but no, Summoner Wars. I don’t forsee playing any other IOS game but it for a while.

Unless I break down and get FFIII and Chrono Trigger.

 

On Comixology

Where do I even start with this column anymore…so many books.

House…House of M…what? Sucks. I…duh..yeah…no…whuh…I mean…but who? Bendis can be a really, really crappy…I mean…a really crappy…writer. I…don’t…know whuh…what I was thinking.

Seriously, what a stupid book. The logic of what happens makes no sense, and the Big Bad is Scarlet Witch but she’s not even in the book for a full page. There was virtually nothing I liked about it whatsoever. I liked Bendis’ Ultimate Spider-Man fine and Powers, but everything else he’s done I’ve hated.

I read deeper into Grant Morrison’s New X-Men, and I’m prepared to say that I think it’s the best X-Men run since Claremont/Byrne.  The genius of it is that Morrison has introduced these very Cronenbergian subtexts of body modification, illness, contamination, injury, and evolution into the mix. The result is a book that’s really kind of biologically grotesque. Quitely’s ugly face art is great for that, but Van Sciver’s is even better. At first I was like “OMG, these are the ugliest pencils I’ve ever seen”…but it was _perfect_ for the book.  I love the storylines too- Cassandra Nova is an awesome villain. Nanosentinels, that was fucking crazy. Great, great book. I can’t see not reading the entire run.

It’s kind of made me reassess Morrison’s recent Batman work, which I pretty much dismissed after Batman Incorporated. But I went back and read the start of his run, where Damian Wayne is introduced, and I loved it. The second book in particular is just fucking amazing. Talia Al Ghul injects some of the League of Assassins with Man-Bat serum. So yeah, Man-Bat assassins. They attack Bruce Wayne at a charity event in a pop art museum filled with some very Lichtensteinian (and Hurstian, and Koonsian) art pieces. So there’s Man-Bats all over the place with swords fighting Batman in this art gallery. The really brilliant thing is that it’s totally Bill Finger, it’s totally Silver Age, and it’s totally postmodern. So I’m going to start from scratch and see if Batman Incorporated is better in the context of a six-year story.

Damian Wayne is an ASS. Seriously, it’s like Morrison said “you thought Jason Todd was a dick?”

I also read all of Scott Snyder’s Detective Comics run and it was amazing. Some of the best Batman writing out there, and it’s with the Dick Grayson Batman at that. Some great, chilling stuff with Jim Gordon’s son, an awesome turn from Tiger Shark, and a freaky culmination of the events in the “Black Mirror” arc. Highest recommendation.

Into book 3, “Dream Country” on my Sandman tour. I definitely liked the first two books better, the further it stays away from high school drama student Shakespeare and cat fancy stuff the better. I love Shakespeare, I love cats, but it comes across as a little silly. Loved “A Doll’s House” though, no doubt. The first book is actually still probably my favorite of what I’ve read…even the awkward moments of trying to make it fit into the DC Universe. WTF is Green Lantern doing there?

I’m definitely interested in the new Sandman book he’s doing with JH Williams III. That should be interesting. Or it could be another Dark Knight Strikes Again.

On the Screen

More Batman since I can’t see The Dark Knight Rises yet. Under the Red Hood is surprisingly good, even by the usually high DC animated universe standards. It’s a dark, serious story that definitely isn’t just following on in the BTAS mold. The weird thing is that I’ve never read the Winick book it’s based on, but I knew everything about it for some reason. The Red Hood’s identity was never a mystery, but maybe that’s just because of the intro which more or less spoils it.

Also Apocalypse Now, of course. I don’t hate the Redux version at all. The extra scenes do muddle the pacing, but I like the scene with the playmates in the helicopter a lot- it’s so surreal, but in a realistic and totally stoned way. The plantation scene is interesting to me, this sort of empire-in-decline tone in the middle of the film works for me.

Such a great film. No piece of media has ever captured the madness of war better. Nor has any film ever captured that really distinct feeling of being in a situation where things suddenly get hyper-realistic but a little crazy and you start to notice the weirdness of what you’re experiencing.

I love this Italian poster for it. They made it look like some kind of Italian exploitation film. There's another one that I couldn't find online that makes it look like a freaking cannibal movie, to cash in on Cannibal Holocaust and that whole genre. Those classy Italians. 

 

On Spotify

Believe it or not, no Swedish pop or esoteric music nerds-only stuff this week. I’ve been listening to one of the only bands that I’d call a “guilty pleasure” since I pretty much like any good music. It’s The Killers, whom I actually like quite a lot, particularly since they’ve sort of eased off the Duran Duran thing and headed more toward this Springsteen/Las Vegas/arena rock thing they’re doing now, or at least mixing with the Duran Duran thing.  It’s totally mainstream, totally commercial, but they write great songs in that vein and I love that they’ve got a sense of old fashioned rockstar-ism and glitter rock swagger...and it’s more authentic than anything Scott Weiland’s ever been involved in.

But they are a singles band, some of the album cuts lose me. Good thing Spotify lets me pick and choose. Their new single, Runaways, is totally a long-lost 1987 hard rock anthem.

I don’t know of any other band earnestly doing this kind of big, epic stadium rock music like they do right now. Aside from maybe Muse, but I don’t get Muse.

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Comments (8)
  • avatardragonstout

    It sounds like we play board games somewhat similarly. I am terrible at them, mostly. As a former math-Ph.D. student specializing in probability, I *do* calculate the probabilities, though, when they're easy (or more likely, when someone else asks me to). And I always, always am trying to win the game; I never screw with shit just for the sake of screwing with shit. That said, while I always have a pretense of trying to win, I will pretty much always try to win in the splashiest, most aggressive and weird way possible, which is usually not the "ideal" path. I'm pretty notorious among my friends for being kind of stupidly aggressive in games and being the least trustworthy bastard, because winning with a big backstab is way more fun than winning as a friendly guy. Nonetheless, despite rarely winning games, because I'm the guy who owns the games everyone still wants to gang up on me in every single game we play, ever.

    I'm good at Magic, though, and take that way more seriously than anything else. And I LOOOOOOVE reading strategy articles about any game; I spend at least an hour a day reading Magic strategy. Even then, though, I get pretty easily caught up in the game and make way more gut-level decisions than calculating decisions.

    Brian Michael Bendis *sucks*. It boggles my mind that he is a superstar comic writer. I have liked one thing of his, and one thing only: his DAREDEVIL. This was the, I mean the least, you know, the least of his, ummmmmm, BOOKS, or comics, whatever you want to call them, that was written like THIS, y'know? Even then, I ended up selling it eventually, but it's worth reading. And it's ballsy, for sure. Kind of to a fault, though: it kind of feels like he had these radical ideas for how he was going to shake things up and all the big changes he'd make, but then didn't have any idea for how to wrap them up in a satisfying way. Have you read it? If so, what are your thoughts? If not, I really do recommend it; it feels like the defining superhero run of the 00s to me, even though it is not the best.

    The thing that kills me the most about him: the WHOLE point of his dialogue is that it's supposed to be realistic, right? I do not not know *anyone* in my day-to-day life that talks like that. If they did, they'd have a speech impediment. Chris Ware actually sometimes has dialogue like that in his comics; it is almost always meant to imply that the characters are incredibly socially awkward.

    Even if it were realistic: who GIVES a shit! Even in comics that are about realistic subjects I don't want realistic dialogue, mostly. Putting that shit into superhero comics? Give me a fucking break!

    My guess, if you really loved the first Sandman book best so far, is that you'll be increasingly disappointed: the first book has a completely different, much more horror-based tone than the entire rest of the series. I think it might be my favorite, too! Book 4, Season of Mists, is pretty cool, though.

    I'm with you on the Killers. I was surprised to even enjoy most of the album cuts on Hot Fuzz! No guilt there for me.

  • avatarHex Sinister

    Resonance: Man, I wasted HOURS modding crazy ass guns. It was pretty anal. Was it worth the extra 1% fire rate? Can't answer that. It was an enjoyable game but got a little tedius and repetitive near the end. Once you master setting up the triangle, rinse, repeat, it doesn't evolve. It's been a while since I played it but the healing role seemed pointless when the best strategy is to focus on dmg output. Oh, and, "Are you some kinda beast?".

  • avatarDelobius

    Persona 3 is virtually neverending. I put 120 hours into the PSP version of it over the last year - an absurd amount of time for me in a single game. It's one of my favorite RPGs of all time, and I'm really looking forward to Persona 4 Golden on the Vita later this year.

    Xenogears is a great game until...well, I'll let you find that for yourself. Still one of my favorites and with an awesome soundtrack by Yasunori Mitsuda (of Chrono Trigger fame).

    Valkyria Chronicles is tough for me because I really want to like it, but it seems more like a puzzle game than a...whatever it's supposed to be. I mean, you don't really use clever tactics - it's mostly about finding the quickest and most busted way to run around & kill everyone. Alicia is pretty much the one-woman army there...

  • avatarShellhead

    Bendis has some talent within a very limited range, but Quesada tried to leverage him into a superstar by putting Bendis on high-profile group titles that are beyond his comfort zone. Bendis needed a tough editor and a personal assistant to research continuity before he could handle a books like Avengers, but he winged and we have been getting crap for years. To make matters worse, Marvel has really been pushing Avengers hard for years, because they have much better film rights with the Avengers characters than they do with X-Men or Spider-man. So Bendis has been writing the core of at least half the major events at Marvel for the last decade, and Marvel has been pushing events so hard that it's difficult to read any of their comics without keeping track of the current event storyline. I'm more than willing to give the Waid Daredevil a shot, but otherwise Marvel doesn't even get to look at my money anymore.

    Barnes, you will get a chance to catch up with Grant Morrison's prodigious output. He recently announced that he is going to stop writing superhero comics for the forseeable future. I suppose that means that his long-awaited Multiversity project (an exploration of various DC alternate realities) has been shelved, but it was hard to see how it was going to fit in with the DCnU mess anyway.

  • avatardragonstout

    Morrison mentioned that he's stopping writing superhero comics AFTER Multiversity (and some Wonder Woman project, and after finishing Action Comics and Batman Inc). "Prodigious" ain't the half of it.

  • avatarMichael Barnes

    Yeah, so in other words...never.

    The funny thing is that in past fits of comics reading, I've never really read that much Morrisson outside of Invisibles and a couple of other books here and there. Like I stupidly never read those Doom Patrol books, which are way up high on the top of the "best runs ever" list. I missed his JLA stuff in the 90s because I was more into the Gaiman/Vertigo/Hellboy sort of stuff, not the shiny foil cover superhero stuff.

    But yeah...reading his current Batman run from the start is kind of revelatory...even just five books in, I get more of what was going on in Batman Incorporated and what his point is. I really, really like that the entire run is kind of informed by Ra's Al Ghul's (and Morrisson's) perception of Bruce Wayne as the "optimum man"...and how that introduces some interesting possibilities like the biological son. The interactions with Bruce and Damian are just brilliant. Damian is a psychopath, a trained assassin, but he has this dynastic sensibility that the Al Ghuls have drilled into him that he is the heir to the Batman name. And Bruce actually has this too, the interactions are very aristocratic so there's a certain blue-blood side to Bruce that doesn't get played up very much beyond the vague "billionaire playboy" angle. But it's _Batman_ blue blood.

    I think Steve is right on the money in regard to Bendis. He's a showboater, from the "oh, look at me" dialogue to "hey, I'mma kill the Avengers!" He's apparently just had carte blanche at Marvel, and I think that was a mistake. I've looked at quite a few of their books from 2000-2010 and his name is on just about all of them in some capacity, or there's some tie-in event (GRRR) that loops back to his stuff. So annoying.

    I highly recommend the cosmic stuff though, Steve...it's _fun_ Marvel, and since it's all second-stringers there's a looseness...I mean, how involved in Civil War, House of M, etc. can Star-Lord be? There are obligatory tie-ins (Secret Invasion in particular), but like all of Annihilation is self-contained in just a couple of cosmic books.

    I remember when they really started doing that stuff in the 1980s, maybe during Fall of the Mutants...I remember seeing "Story continued in X-Factor #XXX!" and thinking "but I don't have a subscription to X-Factor!" Man, I kind of miss comic subscriptions...getting that brown paper wrapped, folded, and dinged up X-Men book in the mail...

    I actually read most of Sandman in issues, yes, Season of Mists is great and I recall that being the best chapter of what I had read, at least. But you're right, definitely more of a horror/Swamp Thing/Hellblazer vibe in that first book.

    Valkyria Chronicles...yes, you are absolutely right that it's very puzzly. But most SRPGs tend to be. It's HUGELY gamey. You start a mission, run your people out, and oops! There's a tank. OK, restart and put a couple of lancers on that flank.

  • avatarSuperflyTNT  - re:
    dragonstout wrote:
    As a former math-Ph.D. student specializing in probability...
    ...I'm pretty notorious among my friends for ... being the least trustworthy bastard, because winning with a big backstab is way more fun than winning as a friendly guy...

    ...Nonetheless, despite rarely winning games, because I'm the guy who owns the games everyone still wants to gang up on me in every single game we play, ever.

    Andy, if you look at the facts above and can't math out the incredibly high probability that people gang up on you because you're a ruthless dick, not because you own the games, you may want to consider getting your money back on that statistics/math Ph.D.

    LMAO

  • avatardragonstout

    Just to rag on Brian Michael Bendis a little more, I enjoyed this mini-"review" of his latest issue of "Spider-Men" (supplemented by a picture of a sequence of panels that reminded me even more succinctly why he's so awful):

    Quote:
    Cross-over comics used to be a bit more heavily weighted on the make-’em-fight end than they were on shaking hands, but this issue of Spider-Men threatens to throw the curve off entirely. From start almost all the way to finish, this comic consists of Peter Parker (the original one) sitting on the floor being told about the Ultimate Universe. That’s the entirety of the comic: characters like Ultimate Gwen Stacy and Ultimate Aunt May saying, “Here, Uncle Ben had a ponytail,” and Peter Parker saying, “In my world, Nick Fury is white.” There’s a ton of crying, the villain appears in a photograph, and that’s it. It would be disappointing, except that it’s impossible to imagine what else this comic was ever going to be about.
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