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What MOVIE(s) have you been....seeing? watching?
Amy - Really great. Winehouse was just so innately talented that it made it all the more sad to see how tragically misused and taken advantage of she was. It really went a long way to flesh out the over-the-top stereotype she became.
Love & Mercy - Kind of a depressing double-feature after Amy, but oh well. A biopic about Brian Wilson of Beach Boys fame, told in two halves to illuminate his early and late career. Paul Dano was great, which I didn't even think was possible. Plus it has some of the greatest "musician at work" scenes ever.
Phoenix - There's a lot to think about in this one, so I'm still processing it a bit (a good thing). A holocaust survivor has facial reconstruction surgery that almost but not quite restores her previous appearance. She pretends to be a stranger and hooks up with her betrayer-husband and ends up impersonating herself so that he can collect her inheritance. Hauntingly beautiful and sorrowful.
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I'm going to watch the next two over this week as well. This was my favourite series as a kid.
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- Black Barney
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1) If he hadn't burst back into the Ravenwood Bar, the Nazis would've had the headpiece of the Staff of Ra (and had the full inscription).
2) If he hadn't found the real location of the Ark, the Nazis would still be digging in the wrong place.
3) If he hadn't blown up the flying wing, the Ark would've been flown directly to Berlin instead of the submarine island.
I know the counter argument is that if you remove IJ: Nazis get headpiece, dig up Ark, open it, look inside, and all die-- just like it happened with him there, therefore he's irrelevant. I just don't think that sort of reverse logic works.
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- Legomancer
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Yesterday I made the list for 2016. All things I haven't seen before, and a combination of suggestions from others, things I've been interested in, and things I feel I should see. After a lot of noir and such in the previous years I tried to go a little bit lighter this year.
The Great Dictator (1940)
On the Waterfront (1954)
The Sweet Smell Of Success (1957)
Breathless (1960)
Bedazzled (1967)
1776 (1972)
The Man Who Fell to Earth (1976)
Valley Girl (1983)
Mansfield Park (1999)
Attack The Block (2011)
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Gregarius wrote: You know, people say that all the time about IJ, but I just don't buy it. I agree that he generally fails at each of his objectives, but the outcomes most definitely would have been different without him.
1) If he hadn't burst back into the Ravenwood Bar, the Nazis would've had the headpiece of the Staff of Ra (and had the full inscription).
2) If he hadn't found the real location of the Ark, the Nazis would still be digging in the wrong place.
3) If he hadn't blown up the flying wing, the Ark would've been flown directly to Berlin instead of the submarine island.
I know the counter argument is that if you remove IJ: Nazis get headpiece, dig up Ark, open it, look inside, and all die-- just like it happened with him there, therefore he's irrelevant. I just don't think that sort of reverse logic works.
I don't know about 'all the time' unless a small group of internet nerds counts as 'all the time' for you - most people I know aren't aware of it at all. But the theory is generally true... not exactly - obviously - or it would be silly to point it out. The film could easily be seen to end up roughly the same way it did without Indiana involved, that's definitely true and it's highly unusual for a film of that sort to have a full fledged hero who, for the most part, doesn't really do anything of note or have a huge impact on the outcome.
I don't see him as irrelevant because of this... so there is no 'therefore he's irrelevant' in my version of it. He's us, he's the viewer, he makes the film worth watching and gives the story what it needs. It's an unusual way to make an adventure film. Without him they certainly would have had the head piece and everything else falls into place after that.
Would they have figured out 'don't look in the box' ... I think that's unlikely, the reason the Nazi's wanted it in the first place makes it clear that looking in the box was a top priority (they were supposed to weaponize it). In fact I think the film hints that it may still be opened at some point in the future again based on where they put it. Safe for a long time, but not forever.
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The good:
Cinematography - Beautiful. Perhaps the best I've scenery I've watch in long time. Pretty amazing how isolated it made you feel seeing the harsh cold of Canada in 1820s.
Acting - Tom Hardy and Leonardo DiCaprio were excellent even if DiCaprio grunted half the movie.
Great Scenes - Indian attack, Bear attack, John Fitzgerald (Tom Hardy) key scenes, Hugh Glass (DiCaprio) survival scenes.
But...
I found myself looking at my watch twice. A sign a movie is running a too long. I didn't really get the bond between Hugh Glass and anyone else including his son. I also didn't need to see another scene of DiCaprio eating raw meat or fish or falling off a cliff. I guess it was just too much brutality. Kind of reminded me of watching Unbroken last year. The endless suffering gets old after a while. So Revenant won't make my top five for 2015. It was good so maybe the sixth or seventh behind Fury Road, Force Awaken, Inside Out, Martian, Big Short, Ex-Mach and I still haven't watched Bridge of Spies, Brooklyn and a few other.
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- Black Barney
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