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The Sad Story of The Hobbit
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Dan Lamb wrote: I never heard if Guillermo quit or was shown the door. I regretted his departure but after seeing Crimson Peak I dunno.
Crimson Peak was exactly what Guillermo intended: a gothic romance with ghosts and violence. Turns out that there wasn't much of an audience for that kind of movie. Too violent and scary for gothic romance fans, and too emo for horror movie fans.
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- Sagrilarus
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Project mismanagement pure and simple. I deal with this everyday on the micro scale, I have no sympathy for the people at the top of this particular food chain.
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- SuperflyPete
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- Michael Barnes
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As for The Hobbit films, they are watchable and mildly entertaining in small doses...but they are also somewhat excruciating and at times execrable. It really shows that Jackson and co. did not have the proper time or resources to prepare for these films, and from what I have heard anecdotally, they didn't even have some of the costumes and art elements designed when they started shooting. And the script wasn't even in a final draft state, they were doing rewrites during production.The result shows on film- everything is sloppy, slapdash and inconsistent over 9+ grueling hours. Battle of Five Armies suffers the most, because at that point what they had was (in Bilbo's words) like butter scraped over too much bread. So 3/4 of the film is something like an exaggerated Warhammer Fantasy Battles cut scene from a video game stocked full of completely asinine "hero" moments like Thranduil riding the giant moose and using it to rack up Orcs and decapitate them more efficiently.
The casting also seems rushed and ill-considered. Martin Freeman is great. Everyone is...just not. Evangeline Lily seems to be confused as to what she signed on for. Lee Pace's direction seems to have been "act slightly creepy and melodramatic". A couple of the dwarves are fine, but a couple are just not.
And then there's anything with Beorn in it...ugh.
As meticulous and detailed as the LOTR were, as prepared and measured as they were, I think what is shocking about The Hobbit series is that it was just so half-assed, mismanaged and messy. And it has that Jackson bloat in it- when these movies come up in conversation, I usually say that I wish that they were directed by LOTR Peter Jackson and not King Kong Peter Jackson. Because these movies are more like King Kong that LOTR.
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- SuperflyPete
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Cronos is a masterpiece, as was Pan's Labyrinth. There's plenty of writers, directors, and producers who are "good" but never achieve the films that he has made. He took a shit script, a shit cast, and a half-baked vision and made it watchable (with regard to The Hobbit films).
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- ChristopherMD
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- Michael Barnes
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At some point, New Line really should have put the brakes on the production- if not completely halting it, they should have had a re-think of how they were going to get these made. It likely got to a "point of no return" and Del Toro exited, that put it into a tailspin. Suddenly you had stakeholders and money tied up in a three picture deal (with a major, majorly expensive license in the mix). Probably a situation where the best case scenario was that the movie would likely make an ROI regardless of its quality. Which is exactly what happened because it did do fairly well at the box office despite negative sentiment toward them.
The films just feel really awkward and weird to me...they almost have that sense of Prequel tone-deafness. But once I found out about how rushed everything was, how unprepared the production as a whole was...it made sense. Like those dwarf costumes...there was no way that some of those were the kinds of things you'd see as a top choice among some better-considered designs more in line with LOTR. It goes without saying too that the script just meanders around, sloppily transitioning from episode to episode (usually through some kind of falling- I'm serious, watch how many times everybody falls in the first movie) and trying to pack in a bunch of "epic" moments to fool the audience into thinking that The Hobbit is a story that has any kind of scope or grandeur. The subplots are flimsy and all too obviously bolted on, like that hilariously awful romance between elf and dwarf. I mean come on. But that is the kind of work you get when you're like "shit, we owe the studio an hour more...no wait...SIX hours more..."
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